The basilica


The ruins of the Byzantine Episcopal church of Servia, known as the Basilica of the Catechumens or Saranta Portes (“Forty Doors”), lie in the northwest corner of the lower city, inside the fortified walls. This is a three-aisled basilica with a narthex, semicircular apse and raised nave with a saddle roof, while the side aisles and the narthex have lean-to roofs.

The church combines elements from Hellenistic and Eastern style basilicas, and was founded shortly after 1000 AD. Sections of the wall paintings in the interior still survive; on the basis of stylistic and iconographic features, these dated to the 12th, 13th and 15th-16th century respectively. The painting preserved on the south wall of the nave bears a dedicatory inscription to Bishop Michael of Servia, according to which the church was dedicated to Agios Demetrios by the late 12th century, if not earlier.
 


Glossary (5)

basilica: type of large church, divided internally into three or more naves. The central nave was usually covered by a raised roof with windows that illuminated the space.
catechumen: term used during the early Christian period to indicate a person not yet baptized. Catechumens were not allowed to attend the sacrament of the Eucharist; during the service they had to remain in the narthex, outside the main body of the church.
three nave basilica: a basilica with three naves.
narthex: oblong reception area extending along the western side of a basilica. Originally the east portico of the atrium, it was later incorporated into the church, and served as a waiting area for catechumens, who were not allowed to attend the Divine Liturgy.
wall paintings or murals: Painted scenes on a wall or ceiling surface.


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Bibliography (3)

1. Καραγιάννη Φ., Οι Βυζαντινοί οικισμοί στη Μακεδονία μέσα από τα αρχαιολογικά δεδομένα (4ος – 15ος αιώνας), Thessaloniki, 2010

2. Ξυγγόπουλος Α., Τα Μνημεία των Σερβίων, Athens, 1957

3. Τσιλιπάκου Α, Σέρβια. Μια βυζαντινή καστροπολιτεία, Υπουργείο Πολιτισμού, Ταμείο Αρχαιολογικών Πόρων και Απαλλοτριώσεων, Athens, 2002


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