The church of Christos Elkomenos


Dedicated to the name of Christ, the cathedral of Monemvasia dominates the central square in the fortified town. Tradition associates the church with Emperor Andronicus II Palaeologus. In an impressive chrysobull issued in 1301, which relates to the Metropolis of Monemvasia and is now held in the Byzantine and Christian Museum in Athens, Andronicus II Palaeologus is shown offering the imperial document itself to Christ, probably as patron of the city. Yet the church is definitely older - Nicetas Choniates (12th c.) relates that Emperor Isaac II Angelos (1185-1195) removed the icon of Christ Elkomenos (Christ in chains) from the church and moved it to Anaplous Monastery near Constantinople. The church is a three-nave domed basilica with three semicircular apses to the east and a narthex to the west. The longitudinal naves are divided by rows of piers covered with domes, while the course of the central higher nave is punctuated by a newer dome. Inside the semi-cylindrical sanctuary apse there is large semicircular synthronon and bishop’s throne.

The present day form of the church is the result of alterations over various different periods. Judging from the arches, the synthronon and the sculptures from the same period dotted around the church, the initial building phase probably dates back to Early Christian times. The chapel of St. John on the south side dates to the Middle Byzantine period, in the 11th or 12th century. The south wall of the church and some of the walls in the chapel are built of sandstone cloisonné masonry decorated with dogtooth courses. The marble sculptures above the west door of the church have been dated to this phase. According to a now lost inscription, George Kouigkydos or Kougkydas built the buttresses on the south wall in 1538. The dome and the narthex were added in 1697. Repairs were carried out over the following centuries (18th-20th c.); the early 20th century bell tower is the latest addition.
The interior decoration is post-Byzantine, dating to the 17th and 18th century. The marble sculptures now surviving around the monument or immured in it date to Early Christian and Byzantine times. The marble templon was constructed in 1901 in replacement of an older wooden one, now in the church of the Virgin Mary Mirtidiotissa.

Following a series of misadventures, an exquisite icon of the Crucifixion regarded as one of the most important from the Palaeologan period has now returned to the church. It was stolen in early 1979. When found cut into pieces it was sent for restoration to the Byzantine Museum in Athens, where it remained. This unique work of art from the second half of the 14th century was recently returned and placed in St. John’s chapel.


Glossary (10)

chrysobull: official public document or decree issued by the emperors of Byzantium, with an authenticating gold stamp on the silk band that accompanied it.
basilica: type of large church, divided internally into three or more naves. The central nave was usually covered by a raised roof with windows that illuminated the space.
narthex: oblong reception area extending along the western side of a basilica. Originally the east portico of the atrium, it was later incorporated into the church, and served as a waiting area for catechumens, who were not allowed to attend the Divine Liturgy.
dome: hemispherical vault resting on a cylindrical or polygonal drum. Widely used in Christian church architecture.
conch (Sanctuary niche): Niche in the eastern end of a basilica. Semicircular on the inside, with a horseshoe shaped, rectangular or polygonal exterior.
synthronon: semicircular stone or marble tiered structure of benches within the apse of early Christian churches, serving as a seat for the clergy. The episcopal throne was placed at the center.
Paleo-Christian (early Christian) era: in Byzantine history, the period that typically starts in 330 AD, when Constantine the Great transferred the capital of the Roman Empire from Rome to his newly-founded city of Constantinople, and ends with the death of Justinian in 565.
chapel: small sized church, either independent, belonging to a religious foundation, or part of a larger church. In Byzantium chapels were often used for burials.
dogtooth, dentil, saw-tooth or course: ceramic decorative elements that can be oblong or meet along the crowning of the roof, like frames surrounding windows. Can be single or double.
altarscreen or templon: screen separating the altar area from the rest of the church. This can be of marble or wood, adorned with wall paintings and icons depicting Christ, the Virgin Mary, St. John the Baptist, the saint to whom the church is consecrated, the Apostles and other saints.


Information Texts (1)

The city: Constantinople, the capital city of the Byzantine Empire, was built on the site of the ancient Greek colony of Byzantium, on the triangular peninsula formed by the Golden Horn, the Bosporus and the Sea of Marmara. This was an excellent location that controlled trade routes linking the Aegean to the Black Sea. Emperor Constantine founded Constantinople in 330 AD as a city to rival Rome in splendour, wealth and power. The city grew fast, leading to problems of space and facilities, so Theodosius I extended it to the west by building new strong walls that protected Constantinople until the end of the Byzantine Empire. The city was laid out after Rome. A main road, the Mese Odos, linked the palace to the Golden Gate. On this road was the Forum, a circular plaza with a statue of Constantine mounted on a column, surrounded by public buildings. Theodosius I and Arcadius later built more forums decorated with their own statues. Following the Nika riots in the 6th century, Justinian adorned Constantinople with magnificent edifices, palaces, baths and public buildings. This time also saw the construction of Agia Sophia (the Holy Wisdom), the church which served as the seat of the Ecumenical Patriarchate throughout the Byzantine period. During the 7th and 8th centuries Constantinople faced major problems that threw it into disarray: attacks by the Avars (a siege in 674) and Arabs (attacks in 674 and 717-718); natural disasters (a powerful, destructive earthquake in 740); and epidemics (plague in 747). Limited building activity resumed in the 8th and 9th century, mainly concentrated on strengthening the city's fortifications. With the recovery of the Byzantine Empire from the 9th to the 11th century, Constantinople became the most populated city in Christendom; the majority of inhabitants were Greek-speaking, but many other ethnic groups lived alongside them, such as Jews, Armenians, Russians, Italians merchants, Arabs and mercenaries from Western Europe and Scandinavia. Many public, private and church-owned buildings were erected at the time, with an emphasis on establishing charitable institutions such as hospitals, nursing homes, orphanages and schools. Higher education flourished, thanks to the care of the state and the emergence of important scholars. This renaissance lasted until the mid-11th century, when economic problems due to poor management set in, compounded by the adverse outcome of imperial operations beyond the borders. The Crusaders left Constantinople entirely unscathed when first passing through, but in the Fourth Crusade of 1204 the Franks conquered and ransacked the city, slaughtering those inhabitants they did not take prisoner or drive out. In 1261 the city was retaken by Michael VIII Palaeologus, who rebuilt most of the monuments and the walls but proved unable to restore the city to its former splendour and glory. Enfeebled as it was, the empire was incapable of checking the advance of the Ottomans, and in 1453 Constantinople finally fell into their hands. The fall signalled the end of the empire. Nevertheless, the Byzantine intellectual tradition remained significant, as many scholars settled in the Venetian dominions of Crete and the Peloponnese, as well as in European countries, conveying Greek learning to the West.


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