The monastery of Kaisariani


Τhe Monastery of Kaisariani is dedicated to the Virgin Mary. It lies on the western, wooded slope of Mount Hymettus, about two kilometers from the Municipality of Kaisariani. The monastery is referred to as Kaisariani in a letter written by Michael Choniatis in 1200; in 1208, having passed into the hands of Catholic monks, Pope Innocent III refers to it as Santa Syriani.

The monastery answered directly to the Patriarchate of Constantinople and had secured various privileges and tax exemptions, which led to economic prosperity in the Byzantine period. This status was maintained during both the Frankish and Ottoman periods, and is indicative of the great power and influence wielded by the monastery’s abbots. In 1833 it was dissolved by decree of the regent’s council under King Otto.

The first centre of Christianity in the area was located on a hill to the southwest, known as “the Cemetery of the Fathers”. The remains of an early Christian basilica dating to the 5th-6th century are still to be seen at the site, where another church was built in the 10th century. Abutting this to the south was the Catholic church of St. Mark, built under Frankish rule and hence known as Frankomonastiro. To the west lies a 17th century church dedicated to Archangels Michael and Gabriel.

The monastic community was transferred to its safer present-day location in the 11th century. Of the mid Byzantine buildings only the catholicon and the baths still survive, the latter being one of the few monastic bath houses preserved in Greece. The remaining structures (refectory, kitchen, cells) are of a later date. The cells lie on the south side of the enclosure wall; archaeological excavations have revealed that they were founded on the ruins of Byzantine cells. The main wing is now a two-storey building, standing independent of a three-storey edifice known as the Benizelos Tower.

The church is of the semi-composite four column cross-in-square type, built of the cloisonné masonry typically found in Greece. The exterior decoration is austere: though dogtooth courses and cornices run around the dome, there are no kufic ornaments or other decorative brick elements. The dome is illuminated by eight single-lobed windows surrounded by double brick arches. One characteristic feature is the outstandingly beautiful large stone arch in the north arm of the church, built of finely hewn masonry. The apse has a large biforate window with a plate above it.

On the interior, the columns supporting the dome are from earlier buildings, while the restored marble templon is contemporary with the church. There are two different views as to when the catholicon was erected: one places it in the late 11th century and the other later, in the 12th century. The wall paintings in the nave date to the early 18th century and are the work of an accomplished academy-trained artist.

The tripartite domed narthex and the chapel of Agios Antonios to the south are later additions. The former was erected in the 17th century, and bears wall paintings dated 1682 by the Peloponnesian painter Ioannis Ipatis. The murals in the Chapel of Agios Antonios are of the same period.


Glossary (16)

Paleo-Christian (early Christian) era: in Byzantine history, the period that typically starts in 330 AD, when Constantine the Great transferred the capital of the Roman Empire from Rome to his newly-founded city of Constantinople, and ends with the death of Justinian in 565.
basilica: type of large church, divided internally into three or more naves. The central nave was usually covered by a raised roof with windows that illuminated the space.
catholicon: the main church of a monastery. As a rule it was the most imposing one, located in the center of the courtyard
semi-complex-cross-in-square church: Type of church where the central dome is supported by four arches covering the extremities of an equilateral cross. Lateral compartments, covered with small domes or barrel vaults, are formed at the four corners of the cross and thus the church forms a cross inscribed in a square or rectangular area. Externally the sign of the cross is also prominent because of this unique way of covering the roof.
cloisonne masonry: elaborate church masonry style, in which rectangular stones are framed by one or two plinths (bricks) laid horizontally and vertically in single or double rows within the mortar of joints.
dogtooth, dentil, saw-tooth or course: ceramic decorative elements that can be oblong or meet along the crowning of the roof, like frames surrounding windows. Can be single or double.
dome: hemispherical vault resting on a cylindrical or polygonal drum. Widely used in Christian church architecture.
kufic ornaments: Decorative motifs, mimicking the first Arabic script to appear in the 7th century in Kufa, Mesopotamia. Usually employed on the external surfaces of churches, rendered in small immured clay tablets.
single-lobed or single-light window: window with a single opening that forms an arc at the top.
conch (Sanctuary niche): Niche in the eastern end of a basilica. Semicircular on the inside, with a horseshoe shaped, rectangular or polygonal exterior.
double light or biforate window: window with two openings that form an arc at the top. The openings are usually separated by mullions.
column: cylindrical, vertical support. Their use started in antiquity and was subsequently adopted by Byzantine churches. Columns from ancient temples were often incorporated into Christian churches. Byzantine examples are usually marble, monolithic and unfluted.
altarscreen or templon: screen separating the altar area from the rest of the church. This can be of marble or wood, adorned with wall paintings and icons depicting Christ, the Virgin Mary, St. John the Baptist, the saint to whom the church is consecrated, the Apostles and other saints.
narthex: oblong reception area extending along the western side of a basilica. Originally the east portico of the atrium, it was later incorporated into the church, and served as a waiting area for catechumens, who were not allowed to attend the Divine Liturgy.
wall paintings or murals: Painted scenes on a wall or ceiling surface.
chapel: small sized church, either independent, belonging to a religious foundation, or part of a larger church. In Byzantium chapels were often used for burials.


Information Texts (1)

The city: Constantinople, the capital city of the Byzantine Empire, was built on the site of the ancient Greek colony of Byzantium, on the triangular peninsula formed by the Golden Horn, the Bosporus and the Sea of Marmara. This was an excellent location that controlled trade routes linking the Aegean to the Black Sea. Emperor Constantine founded Constantinople in 330 AD as a city to rival Rome in splendour, wealth and power. The city grew fast, leading to problems of space and facilities, so Theodosius I extended it to the west by building new strong walls that protected Constantinople until the end of the Byzantine Empire. The city was laid out after Rome. A main road, the Mese Odos, linked the palace to the Golden Gate. On this road was the Forum, a circular plaza with a statue of Constantine mounted on a column, surrounded by public buildings. Theodosius I and Arcadius later built more forums decorated with their own statues. Following the Nika riots in the 6th century, Justinian adorned Constantinople with magnificent edifices, palaces, baths and public buildings. This time also saw the construction of Agia Sophia (the Holy Wisdom), the church which served as the seat of the Ecumenical Patriarchate throughout the Byzantine period. During the 7th and 8th centuries Constantinople faced major problems that threw it into disarray: attacks by the Avars (a siege in 674) and Arabs (attacks in 674 and 717-718); natural disasters (a powerful, destructive earthquake in 740); and epidemics (plague in 747). Limited building activity resumed in the 8th and 9th century, mainly concentrated on strengthening the city's fortifications. With the recovery of the Byzantine Empire from the 9th to the 11th century, Constantinople became the most populated city in Christendom; the majority of inhabitants were Greek-speaking, but many other ethnic groups lived alongside them, such as Jews, Armenians, Russians, Italians merchants, Arabs and mercenaries from Western Europe and Scandinavia. Many public, private and church-owned buildings were erected at the time, with an emphasis on establishing charitable institutions such as hospitals, nursing homes, orphanages and schools. Higher education flourished, thanks to the care of the state and the emergence of important scholars. This renaissance lasted until the mid-11th century, when economic problems due to poor management set in, compounded by the adverse outcome of imperial operations beyond the borders. The Crusaders left Constantinople entirely unscathed when first passing through, but in the Fourth Crusade of 1204 the Franks conquered and ransacked the city, slaughtering those inhabitants they did not take prisoner or drive out. In 1261 the city was retaken by Michael VIII Palaeologus, who rebuilt most of the monuments and the walls but proved unable to restore the city to its former splendour and glory. Enfeebled as it was, the empire was incapable of checking the advance of the Ottomans, and in 1453 Constantinople finally fell into their hands. The fall signalled the end of the empire. Nevertheless, the Byzantine intellectual tradition remained significant, as many scholars settled in the Venetian dominions of Crete and the Peloponnese, as well as in European countries, conveying Greek learning to the West.


Bibliography (12)

1. Ηamilton J.A., The Church of Kaisariani in Athens, Aberdeen, 1916

2. Megaw A.H.S., The Chronology of some Middle-Byzantine Churches, 1931-32

3. Millet G., L’école grecque dans l’architecture byzantine, Paris, 1916

4. Μπούρας Χαράλαμπος, Βυζαντινή και Μεταβυζαντινή Αρχιτεκτονική στην Ελλάδα, 2001

5. Μπούρα Λ., Μπούρας Χαράλαμπος, Η ελλαδική ναοδομία κατά τον 12ο αιώνα, Εμπορική Τράπεζα της Ελλάδος, Athens, 2002

6. Μπούρας Χαράλαμπος, Βυζαντινή Αθήνα, 10ος-12ος αι, Μουσείο Μπενάκη, Athens, 2010

7. Ξυγγόπουλος Α., Σχεδίασμα ιστορίας της θρησκευτικής ζωγραφικής μετά την Άλωσιν, Αθήναι, 1957

8. Παπαγιανόπουλος-Παλαιός Α. , Καισαριανή, Athens, 1940

9. Χατζηδάκη Θ., Το μοναστήρι της Καισαριανής, Athens, 1977

10. Υπουργείο Πολιτισμού και Τουρισμού | Μονή Καισαριανής, http://odysseus.culture.gr/h/2/gh251.jsp?obj_id=1524

11. ΒΥΖΑΝΤΙΝΑ ΜΝΗΜΕΙΑ ΑΤΤΙΚΗΣ, http://www.eie.gr/byzantineattica/view.asp?cgpk=490&lg=el&obpk=406&xsl=detail

12. Mango, C., Byzantine architecture, New York, 1976


Comments (0)